Maurice Flitcroft, a dreamer and unrelenting optimist, managed to gain entry to The British Open Golf Championship qualifying in 1976 and subsequently shot the worst round in Open history, becoming a folk hero in the process.

Millie is a brilliant young fund manager who decides to leave her unfulfilling job and long-term boyfriend behind to chase her lifelong dream of becoming an opera singer…in the Scottish Highlands! She begins intense vocal training lessons with renowned but fearsome singing teacher and former opera diva Meghan Geoffrey-Bishop. It is there she meets Max, another of Meghan’s students who is also training for the upcoming “Singer of Renown” contest. What begins as a brutal competition between Millie and Max slowly turns into something more…

Ukrainian soprano Liudmyla Monastyrska replaces Anna Netrebko as Puccini’s icy princess. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Michelle Bradley as the devoted servant Liù and legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring opera, which takes the stage in the company’s dazzling, ever-popular production by Franco Zeffirelli.

The events of Graham Swift's novel take place over the course of one day—the holiday Mothering Sunday. Maid Jane Fairchild (Young) has the day off, as her employers, Mr. and Mrs. Niven (Firth and Colman) are attending an event to celebrate the engagement of their neighbours' son, Paul (O’Connor). Jane is an orphan, so has no mother to spend the day with—but she does have Paul, with whom she's been having a years-long secret affair. The story unfolds as they spend their final day together as lovers.

Abandoned by her family, Kya raises herself all alone in the marshes outside of her small town. When her former boyfriend is found dead, Kya is instantly branded by the local townspeople and law enforcement as the prime suspect for his murder.

Finney Shaw, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.

Five assassins find themselves on a fast-moving bullet train from Tokyo to Morioka with only a few stops in between. They discover their missions are not unrelated to one another. The question becomes, who will make it off the train alive and what awaits them at the terminal station?

Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.

Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.

Nancy Stokes doesn’t know good sex. Whatever it may be, Nancy, a retired schoolteacher, is pretty sure she has never had it, but she is determined to finally do something about that. She even has a plan: It involves an anonymous hotel room, and a young sex worker who calls himself Leo Grande.

A recently widowed man and his two teenage daughters travel to a game reserve in South Africa. However, their journey of healing soon turns into a fight for survival when a bloodthirsty lion starts to stalk them.

André Rieu is back in cinemas with his all new 2022 Maastricht Concert: Happy Days are Here Again.

When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass Sir John Tomlinson as the ghost of Hamlet’s father.

A new adaptation of Paul Gallico's much-loved novel about a cleaning lady in 1950s London who falls in love with an haute couture dress by Christian Dior and decides to gamble everything for the sake of this folly.